Lives and works in London and Athens.

Solo exhibitions

2020 No Such Organisation, Positions #6, Van Abbemuseum, Eindhoven

2020 No Such Organisation, Nome, Berlin

2019 There Is No Alternative, The Showroom, London
2019 Shoot The Women First / Dissidence, Z33 Hasselt
2018 Pool Paintings Part I, Swimming Pool, Sofia
2018 Shoot The Women First, The Breeder Gallery, Athens
2017 A Year Without Movement, House of Saint Barnabas, London
2017 Echo Chamber, Van Abbemuseum, Eindhoven
2017 Infoesque, Fridman Gallery, New York
2016 Command: Print, Nome, Berlin
2016  Imagine A Palm Tree, Benaki Museum Islamic Art Collection, Athens
2016 The Black Standard, Galerie Roger Katwijk, Amsterdam
2015 ψ, Fokidos Project Space, Athens
2015 Komt Hier Aan Deze Gele Vlaktes, Probe Projects, Arnhem
2014 Pre-Image, Peninsula Art Space, Red Hook, New York
2014 Sucker Scar Script, Crowell Fine Art, New Bedford MA
2013 So Much Magic, Chelsea College of Art & Design, London
2012 Where Are You Know?, Project D / Capital D Studios, Dubai
2011 Economies of Language, Hardy Tree Gallery, London
2009 Torero/Torera, Viktor Wynd Fine Art, London
2008 Pale The Wall, Leighton House Museum, London
2006 Just Weight, Full Measure, ABCC, London
2006 This Being Human, Christ’s College, Cambridge University


Selected group exhibitions

2020 Van Eyck’s Colours in Design, Design Museum, Ghent
2019 The Same River Twice, Deste Foundation & New Museum, Athens 
2019 At The Gates, La Criée Centre d’Art Contemporain, Rennes 
2019 A School of Schools, LUMA, Arles
2018 At The Gates, The Talbot Rice Gallery, Edinburgh
2018 The Universe Flickers, SALT Beyoglu, Istanbul
2018 A School of Schools, 4th Istanbul Design Biennial
2018 Walk and Talk Festival, San Miguel, Azores
2017 Athens and its Periphery in Regards to Contemporary Painting, The Breeder Gallery, Athens
2017 An Incantation Fixed At Its Culminating Point, Galeria Boavista, Lisbon
2017 Haunted Machines and Wicked Problems, Impakt Festival, Utrecht
2017 This is The Sea, Port Hercule, Art Monte Carlo
2017 Future Climates, State of Concept, Athens
2017 Evidentiary Realism, Fridman Gallery, New York
2016 Yes Screaming No, The One Minutes, Amsterdam
2016 Sorry You Missed Me, Royal College of Art, London
2016 Letters to the Mayor: Athens, Storefront NYC/Metamatic:taf Athens
2015 Art In The Age Of …. Asymmetric Warfare, Witte de With, Rotterdam
2015 Art In The Age Of …. Planetary Computation, Witte de With, Rotterdam
2015 The Girl With The Sun In Her Head, Van Eyck Academie, Maastricht
2014 Abstract Geometry, Rook & Raven, London
2014 Salon, Marcelle Joseph Projects, London
2013 Watching You, 10011, New York
2013 Hierarchies, Chelsea College of Art & Design
2013 Celluloid, Cellulose, Cellulite, Chelsea College of Art & Design
2013 Surface, Chelsea Future Space, London
2013 Take Me Out, Limoncello Gallery at London Art Fair
2012 This Is London, Shizaru Gallery, London
2012 Shem, Galerie Arnaud Lefebvre, Paris, France
2012 Modes ottomanes: la gravure de l’Orient au Siècle des Lumières, Bibliothèque d’Amiens, France
2011 Call Me Ishmael, Parfitt Gallery, London, UK
2010 A Journey into the World of the Ottomans, Museum of Islamic Art, Doha, Qatar
2007 The Desert Generation, Jerusalem & Amsterdam
2006 Pathos To Ethos, Eleven Fine Art, London


2019 Il Paese Della Cuccagna, I-DEA, Matera 

2019 PostCentral, Nome, Berlin

Awards, commissions and residencies

2018 Communal Knowledge & Imperial Health Charity, The Showroom, London
2017 Ideas City Arles, New Museum & Luma Foundation
2016 Ibraaz Projects: Expanding & Remaining
2015 The Politics of Food II, Delfina Foundation, London
2014 Van Eyck Academie, Maastricht
2012 Chelsea Arts Club Trust Special Projects Award
2011 Random Acts, five short films for Channel Four
2008 Artist in Residence, Leighton House Museum, London
2007 Artist in Residence, A.M. Qattan Foundation, Ramallah
2006 Artist Studentship, Christ’s College, Cambridge

Selected Essays / Press

Review of There Is No Alternative by Alexander Massouras
Art Monthly, July 2019

Profile: Who’s Watching You? The Visual Branding of Surveillance by Charlotte Jansen
Elephant Magazine, July 2019

There Is Not Alternative: An Artist’s Critique of Prevent by Helen Warell
The Financial Times, July 2019

Care and Control in a Surveillance Society by Izabella Scott
Art Review, June 2019

2019 Patterns of Patriarchy by Nadine Botha
Damn Magazine Issue 71, Feb 2019

2019 The Universe Flickers by Stephanie Bailey
Art Papers Fall 2018/19

2019 Art Review: Future Greats 2019, picked by Ben Eastham 
Art Review, January/February 2019

2019 The Picture of Terror: Contemporary Art and the Islamic State, by Owen Duffy
Momas Art Criticism

2018 SHOOT THE WOMEN FIRST! Under the Pink of Navine G. Khan-Dossos’s Targets, by Jasmina Tumbas
ASAP Journal

2018 Pool Paintings Part I, text and interview with N.J. Stallard
Tank Magazine

2017 Painting On and Painting Off ISIS Propaganda by Régine Debatty

2017 An Unfolding Interface by Natasha Hoare
Commissioned for Evidentiary Realism, curated by Paolo Cirio, Fridman Gallery NYC

2017 Review of Command: Print by Adam Kleinman
Artforum, March 2017 pg. 279-280

2017 Interview: Navine G. Khan-Dossos in conversation with Aude Launay

2017 Painting The Islamic State, by Helen Longstreth

2016 Information Acts: Navine G. Khan-Dossos in conversation with Stephanie Bailey
Ibraaz.org, Platform 10 – Where To Now?

2016 Exhibition Review: Command: Print at Nome, Berlin by Brit Seaton

2015 The Handsome Cabin Boy
The Happy Hypocrite Issue 8: Fresh Hell

2015 Art In The Age Of…
With de With Publishing, 2015

2014 For The Motherboard by Vanessa Hodgkinson and James Bridle
The White Review, October 2014

2013 Techno-Primitivism by Vanessa Hodgkinson and Prof. David Trotter
The White Review, May 2013

2013 The Inkhorn and the Last (The Etymology of Technological Vocabulary)
by Vanessa Hodgkinson and James Bridle
JAWS Journal, Chelsea College of Art and Design

2012 Seeking a Better Viewpoint to the East, by Jyoti Kalsi
Gulf News, Weekend Review, December 2012

2011 Fucked-Up Re-Appropriation or In Defense of Vanessa Hodgkinson
Sophia Al-Maria, December, 2011


2012-13 MA Fine Art, Chelsea College of Art & Design
2012 Post-Graduate Diploma, Fine Art, Chelsea College of Art & Design
2000-3 BA History of Art, Emmanuel College, Cambridge